List of Famous Aquarians

Eddie Cantor was an American "illustrated song" performer, comedian, dancer, singer, actor, and songwriter. Familiar to Broadway, radio, movie, and early television audiences, this "Apostle of Pep" was regarded almost as a family member by millions because his top-rated radio shows revealed intimate stories and amusing anecdotes about his wife Ida and five daughters. Some of his hits include "Makin' Whoopee," "Ida ," "If You Knew Susie," "Ma! He's Makin' Eyes at Me," “Mandy,” "My Baby Just Cares for Me,” "Margie," and "How Ya Gonna Keep 'em Down on the Farm ?" He also wrote a few songs, including "Merrily We Roll Along", the Merrie Melodies Warner Bros. cartoon theme.

Eugen Jensen (1871–1957) was an Austrian stage and film actor. He worked frequently in the Austrian and German cinemas during the silent era in supporting roles in films such as The Love of Jeanne Ney (1927). Following the Anchluss of 1938, Jensen emigrated to Switzerland. He was married to the actresses Alice Lach and Rosa Montani.

Tuesday Lynn Knight is an American actress, singer and designer. She is best known for her role as Kristen Parker in the 1988 film A Nightmare on Elm Street 4: The Dream Master, replacing Patricia Arquette in the sequel to A Nightmare on Elm Street 3: Dream Warriors (1987). Her other film roles include Mistress (1992), The Fan (1996), Daddy and Them (2001), and How to Be Single (2016). Knight has had guest appearances on several television series, such as Profiler (1996) and The X-Files (1999), as well as a starring role on 2000 Malibu Road (1992). Outside of acting, her self-titled debut album was released in 1987 and her jewelry line was launched in 2001.

Takeshi Koike is a Japanese animator, illustrator and film director.

Terry O. Morse was an American film director and editor. He is perhaps best known for directing the American scenes in Godzilla, King of the Monsters!, the "Americanized" version of the 1954 Japanese Godzilla film from Toho. The film went on to long-lasting success with regular showings at drive-in theatres, repertory theatres and on television. Its popularity completely obscured the original film which remained virtually unknown in the United States for several decades after its release.