List of Famous people who born in 1910

Barbara O'Neil was an American film and stage actress. She appeared in the film Gone with the Wind (1939) and was nominated for the Academy Award for Best Supporting Actress for her performance in All This, and Heaven Too (1940).

Vittorio Gorresio was an Italian Journalist-commentator and essayist.

Henriette-Hélène de Beauvoir was a French painter. She was the younger sister of philosopher Simone de Beauvoir. Her art was exhibited in Europe, Japan, and the US. She married Lionel de Roulet.

Iosif Davidovich Amusin was a Soviet historian, orientalist, hebraist and papyrologyst, was specialist in the history of the Ancient Near East and Qumran studies.

Alceo Galliera was a distinguished Italian conductor and composer. He was the son of Arnaldo Galliera (1871—1934) who taught in organ class at the Parma Conservatory.

Henryk Borowski was a Polish theater, radio and film actor.

Mary Ingraham Bunting was an influential American college president; Time profiled her as the magazine's November 3, 1961, cover story. She became Radcliffe College's fifth president in 1960 and was responsible for fully integrating women into Harvard University.

Sergei Vasilyevich Vonsovsky was a prominent Soviet and Russian physicist.

Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator. One of the most celebrated composers of the 20th century; music critic Donal Henahan stated, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years of composition studies with Rosario Scalero at the Curtis Institute and more than twenty-five years of study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of utilizing traditional 19th-century harmonic language and formal structure that embraced lyricism and emotional expression. However, elements of modernism were adopted by Barber after 1940 in a limited number of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955), and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).