List of Famous people born on November 30th
Domenico Ponsello
Constantine Akropolites
Constantine Akropolites or Acropolites, son of the scholar and statesman George Akropolites, was a minister of the Byzantine emperor Michael VIII Palaiologos, until the Emperor dismissed him for his opposition to the union of churches created by the Second Council of Lyon (1272). Under the new emperor Andronikos II, however, Akropolites returned to favor; perhaps as early as 1282 he was appointed Logothete, and on the death of Theodore Mouzalon in 1294, Akropolites was raised to the title of megas logothetes, which he held perhaps as late as 1321. He died sometime before August 1324, for a document dated May–August 1324, concerning the Monastery of the Anastasis, states he is dead.
Ercole Paganini
Carlo Salamano
Carlo Salamano was an Italian racecar driver. A resident of Turin, in 1923 he drove a FIAT 805 to win the Italian Grand Prix at Monza, the event also serving as the inaugural European Grand Prix; it was the first victory by an automobile equipped with a supercharger in a significant European event. While an official championship had yet to be established, he was considered to be the season champion by historians.
Berta Maia
Girolamo Genga
Girolamo Genga was an Italian painter and architect of the late Renaissance, Mannerist style.
Odo II, Count of Troyes
Odo II was the Count of Troyes in 876. He was a son of Odo I and Wandilmodis.
Eugène Martel
Charles of Taranto
Charles of Taranto was the eldest son of Philip I, Prince of Taranto and titular Latin Emperor of Constantinople, and his wife, Thamar Angelina Komnene, daughter of the Despot of Epirus, Nikephoros I Komnenos Doukas.
Francisco Pacheco
Francisco Pacheco del Río was a Spanish painter, best known as the teacher and father-in-law of Diego Velázquez and Alonzo Cano, and for his textbook on painting, entitled Art of Painting, that is an important source for the study of 17th-century practice in Spain. He is described by some as the "Vasari of Seville": vocal and didactic about his theories of painting and thoughts about painters, conventional and uninspired in his executions